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Date: 2006-06-07 03:10 pm (UTC)What's your philosophy on recording bass drums in orchestras? Record it naturally so that it sounds like what you would hear if you were in the audience in a nice hall? OR Mic it separately and push it up in the mix so that you can get some earth shattering kabooms?
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Date: 2006-06-07 03:30 pm (UTC)Oh, that's hard - I'd want to record it naturally, because I'd want to listen to a performance that had amazing bass. That said, I'd be tempted to push the bass up in the mix if the recording didn't do the piece or the performance justice - at that point it's no longer purely a recording of a work of art, but a separate work unto itself, and on that basis it's a fine thing.
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Date: 2006-06-07 03:54 pm (UTC)Truth be known, I'm not sure it's possible for Fanfare to suck.
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Date: 2006-06-07 04:09 pm (UTC)no subject
Date: 2006-06-07 04:19 pm (UTC)I actually like the fake bass. I think that many classical composers would have asked for the same treatment if they had the ability in their time.
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Date: 2006-06-07 04:21 pm (UTC)no subject
Date: 2006-06-07 04:30 pm (UTC)Yeah, I think you have a point.
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Date: 2006-06-07 04:30 pm (UTC)no subject
Date: 2006-06-07 06:26 pm (UTC)no subject
Date: 2006-06-07 06:42 pm (UTC)no subject
Date: 2006-06-07 07:27 pm (UTC)But then, I *REALLY* liek ELP.
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Date: 2006-06-08 06:27 pm (UTC)Aaron Copland explained that in a presentation at my elementary school.
Whenever I hear it, I think of the NY Museum of Natural History, cause they used it in their tv commercials when I was small, and it burned in.
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Date: 2006-06-08 06:46 pm (UTC)